Toast farewell to the Corsini Collection at an exclusive dinner event

 

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Toast farewell to Corsini this weekend. Photo by Jessica Wyld Photography & Ed Fetahovic

On Saturday 16 June, toast farewell to the Corsini Collection over a magnificent Italian feast.

Renowned winemaker, Juniper, Margaret River, has matched their award-winning wines to a five-course degustation menu that features fresh and innovative Italian cuisine.

Hal Bibby of Juniper, Margaret River says, “Our chief Winemaker, Mark Messenger has selected across our range to pair with the menu designed by Faith Nichols from Comestibles.

“In keeping with the Corsini theme, our first pairings are with two Fianos, an Italian white variety made in differing styles. The gold medal-winning Juniper Small Batch Fiano 2017 which is a vibrant and refreshing style will complement the delicate components of every aspect of the first course,” says Bibby.

“The Higher Plane Fiano 2017– also a gold medal winner – is a more complex wine that will amplify the flavours in the delicate risotto and chicken brodo superbly, its sapidity echoing the accompanying garnishes.”

“Our third course matching challenges convention, but should be sensational. We are pairing our Gold medal winning Juniper Estate Semillon 2007 with the honey glazed loin of lamb, as bottle age has magnified the richness in this wine to make it the perfect foil to the various elements in this dish with its body and honied development.”

“The softness, depth and breadth of the flavour of the Juniper Estate Shiraz 2012 will pull together the various components of the chicken dish magnificently.”

“Our final pairing features a dish that could not be more appropriate for the Juniper Estate Cane Cut Riesling 2017. It is made to retain acidity to corset the sweetness in the wine so that it is clean and refreshing.”

Limited to only 50 seats, this superb send-off will be set in the Corsini exhibition entrance, surrounded by immersive palace photo backdrops – steps away from the prized collection.

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Be in the draw to win a Gallery hamper valued at $250

Guest will have exclusive private access to the exhibition with AGWA Guru Guides on hand for insights into the works of art.

Stefano Carboni, AGWA Director, says, “This is a unique way to experience the exhibition and immerse yourself in Italian culture. The first event was a sell-out success, and I know interest is high in this second more intimate opportunity.”

It’s a brilliant way to say ciao to your favourite works in the Corsini Collection.

Every ticket purchased will also go into the draw to win an amazing Gallery hamper valued at $250 and features two bottles of wine from Juniper, Margaret River, Corsini inspired gifts and beautifully illustrated hardcover Italian themed catalogues.

Book your tickets here.

MENU
On arrival
Juniper Estate Blanc de Blanc 2015

Course one
A dainty dish of preserved zucchini flavoured with lemon zest and fresh oregano,  accompanied by burrata and finely sliced Cerignola olives
Matched with Juniper Small Batch Fiano 2017

Course two

A delicate risotto cooked in Fiano and chicken brodo garnished with freshly grated parmigiana reggiano and crisped sage leaves
Matched with Higher Plane Fiano 2017

Course three
Honey glazed loin of lamb poached in a little dry white wine served with braised fennel and the drizzle of the poaching liquid
Matched with Aged Juniper Estate Semillon

Course four
Breast of Mahogany Creek Chicken in a citrus juniper marinade accompanied with a shallot chestnut Vin Santo sauce served with kipfler potatoes and grilled radicchio
Matched with Aged Juniper Estate Shiraz 2012

Course five
Chilled Lemon cream garnished with chopped candied lemon peel, berries icing sugar and lemon biscuits
Matched with Juniper Estate Cane Cut Riesling 2017

Course six to accompany coffee
Amaretti , nougat and candied fruits

 

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Guru Guides Reflect on the Corsini Collection

As A Window on Italy – The Corsini Collection exhibition comes to a close on the 18 June, we catch up with Voluntary Guru Guides Stephanie Watson and Louise Gillett to find out which work was their favourite and what they’ve enjoyed most about the exhibition.

Louise Gillett

Guiding the Corsini has been an exciting ride. To date, I have conducted 18 public tours with four more to go before the show finishes. Researching and preparing has been hugely interesting and I learn more with each tour as patrons ask questions and provide opinions.

Guru Guide Louise Gillett sharing her insights on Botticelli’s Madonna and Child

My favourite work?

The Botticelli, of course! To witness Botticelli’s poignant intention to suggest the Crucifixion in a work depicting Christ as an infant, is very moving. The rendering in tempera with all of the attendant precision and expertise seems to exemplify the artist’s deep Christian conviction, a desire to assert belief in the face of rampant humanism. The classical restraint, beauty and symmetry of those faces- breathtaking! It is always rewarding to guide this work; to provide the Christian explanation to patrons who are not aware of it and to witness the knowing nods of those who are familiar with the narrative and symbolism. This sharing of knowledge and experience in front of great art is what drives me as a Guide.

Stephanie Watson:

My favourite work:
While Botticelli’s touching painting “Madonna and Child with Six Angels” is undoubtedly the star of the show, I am also drawn to Giovanni Santi’s modest work. For me, its evocation of “Birth of Venus” relates to one of the world’s great artistic treasures.

Giovanni Santi’s painting of the Muse of History, Clio, shows her not with her traditional scroll, but enveloped in the gorgeous, swirling drapery of her beautiful blue gown. Fittingly, blue was the most expensive of paint pigments. Her hair floats behind her, echoing not only the movement of her dress but also the trees in the background.

Giovanni Santi (Colbordolo 1435-Urbino 1494) Clio from The Muses circa 1480-90. Tempera on board, 820 x 390mm. Florence, Galleria Corsini

A hallmark of the Renaissance is the device of framing; here rocks and vegetation surround the central image. Another was a renewed interest in the classical world, which interestingly, sat comfortably with the deeply religious mood of the time. Clio’s almost bare feet reflect the philosophy of humanism and naturalism which was replacing the waning Medieval ethos.

The ‘flatness’ of the figure and detachment of the Muse are also elements of that earlier style. The traditional medium of egg tempera on wood panel soon to be overtaken by the new material of oil on linen has also been used. Giovanni’s far more famous son Raphael began his education in the studio of his father at the Palazzo of the Duke of Urbino. While his soaring talent soon outstretched his father’s, this painting can still charm us with its beauty.

A special moment in one of my tours was the texting conversation between one of the visitors to the exhibition and her cousin who was at work in the Palazzo Corsini in Florence at that very moment, bringing extra life to this wonderful exhibition.

 

Corsini Opening Day - A Florentine Festival Day

With so many stories behind each work, our fantastic guides have captured the imagination of over 30,000 visitors since the opening of the exhibition. We thank them for their amazing work.

Curator insights with Melissa Harpley

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Written by Mikaela Hewett, communications intern

AGWA’s next international exhibition, A Window on Italy – The Corsini Collection: Masterpieces from Florence, arrives in Perth, next February for an exclusive Australian season. Featuring a diverse selection of artwork from the Renaissance and Baroque era, this show is a must-see for lovers of Italian art and the period. I sat down with curator Melissa Harpley to gain some insight into the Collection and the experience it offers.

Thanks for taking the time to meet, Melissa. We’re here to talk about the Corsini Collection. Can you tell us what it is, and what people can expect when it arrives in Perth next February?

The Corsini Collection is a remarkable collection of artworks that are owned by an individual Florentine family. It is beautifully unified by that family connection, and the fact it has been built over centuries. Some of the works are by the great names of the Italian Renaissance – Botticelli, del Sarto, Pontormo – and Caravaggio, a name many people will be familiar with. The collection also tells an engaging story of the Corsini family themselves, so the exhibition will include a range of portraits of family members and artefacts from their home in the Palazzo Corsini.  I think for audiences it will be a beautiful insight into the family, Florence, and Italy.

That sounds exciting. Can you tell me a little more about the Corsini family?

They are a family who came into prominence in the thirteenth century and occupied a range of professions in Florence, Italy – though there were also members of the family who worked in England – an important source of wealth for many Italian families during the Renaissance. One of the Corsinis was the Pope Clement XII. Another early member of the Corsini family was canonised, so they have their own saint as well, Saint Andrea Corsini.

And what styles of art did they collect?

A lot of the art is from the Renaissance and Baroque periods, so those works reflect the popular subjects of the time. There are certainly religious paintings, such as the fabulous Madonna with Child and Six Angels by Botticelli, but also some beautiful portraits. Classical mythology was of intellectual interest in the Renaissance and Baroque periods in Italy, so there are a number of paintings of scenes from mythology, and some landscapes too.

What do you feel are some of the stand out pieces in the Corsini Collection?

The Botticelli is an absolute knock-out. However, the Caravaggio portrait of Maffeo Barberini is also a very powerful painting. The four little Giovanni Santi paintings of Apollo and the Muses are beautiful early Renaissance panel paintings, and the portrait of the family’s saint with the bullet holes in it is a very moving and powerful work because of the backstory. There is such a diverse selection of art that I’m sure everyone will be able to find something they love while visiting the Collection.

What is the story behind the family saint?

Well, towards the end of the Second World War the German army was retreating through Italy. The Corsini family were aware that the German army had been looting artworks along the way, so Princess Elena Corsini worked with some of her staff to hide as much of the collection as they could to try and preserve it. Some of it was hidden in a crypt in a church in Florence, and other pieces were loaded onto a truck, which was driven out to one of their country properties. Princess Elena Corsini instructed that a false wall was built to hide the artworks so that if the Germans passed through they wouldn’t find any paintings. The family story goes that when the artworks were put behind the wall, Donna Elena said to the portrait of the saint, “I’ve done my bit, now it’s up to you.”

The Germans did arrive, noticed the false wall, and one of the officers – possibly thinking there were people behind it – shot at the wall a number of times. Luckily, the only work damaged was the painting of Saint Andrea Corsini, so perhaps he did protect the rest of the collection! The family decided not to have the work conserved, so you can still see the bullet holes in it.

When the Corsini Collection arrives in February, what would you say to people thinking of visiting?

It’s a great opportunity to spend some time with works from a period and place that you don’t often experience in Perth.  Plus, there’s the fascinating story of the Corsini family and the city of Florence to bring many of the works to life. They’re fabulous paintings, and I think people will have a great experience since there are so many beautiful works of art to enjoy.

Thank you, Melissa. Tickets to A Window on Italy – The Corsini Collection: Masterpieces from Florence are now on sale here.